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Le Corbusier and the Power of PhotographyFrom Thames & Hudson
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A key publication in the literature on Le Corbusier that offers a new perspective on his creative mind
The development of one of the twentieth century’s greatest architects was inextricably connected to the rise of the century’s most popular visual medium: photography. Marking the 125th anniversary of Le Corbusier’s birth, this remarkable publication traces the many ways in which the architect used photography to define and disseminate his work and ideas around the world.�
Because his buildings are usually shown in a documentary manner, the candid, personal, artistic, and often unexpected images reproduced here offer new insights and ways to appreciate the many facets of the man behind his works. The topics covered include Le Corbusier’s early experimentation with photography; how he employed photography in promotional materials relating to his buildings and ideas; and his use of large-scale imagery in his buildings and exhibitions. There is also a section devoted to contemporary photographic interpretations of his buildings.�
With contributions by� Norman Foster, Tim Benton, Arthur Ruegg, Veronique Boone, Catherine de Smet, Klaus Spechtenhauser, and Jean-Christophe Blaser.
403 illustrations, 164 in color- Sales Rank: #1904814 in Books
- Published on: 2013-04-01
- Original language: English
- Number of items: 1
- Dimensions: 11.30" h x 1.10" w x 9.40" l, 3.60 pounds
- Binding: Hardcover
- 256 pages
Review
“Analyzes Corb as a scene-setter, from Chandigarh in India to Villa Savoye in France.” (Surface)
“Encompass[es] the way many ways [Le Corbusier] engaged with photography throughout his lifetime. The graphic design is bright and energetic; there is plenty of text, but it is primarily a book of images.” (Aperture)
“Do we really need another book about [Le Corbusier]? It turns out we do, for this one takes a quite unusual view of the master’s work, examining the close relationship between his architecture and another art form that was developing alongside: photography.” (Interior Design)
“[This book] reveals that the architect was an enthusiastic cameraman himself. . . . Includes a sumptuous portfolio of contemporary images of Le Corbusier’s most famous buildings.” (Elle Decor)
“Superb and scholarly.” (The Wall Street Journal)
“[An] impressive collection of images and analysis.” (Publishers Weekly)
About the Author
Nathalie Herschdorfer is a curator, writer, and art historian specializing in the history of�photography. She is Director of the Museum of Fine Arts, Le Locle, Switzerland, and was�previously a curator at the Mus�e de l’Elys�e, Lausanne, Switzerland. She has produced�internationally touring exhibitions for the Foundation for the Exhibition of Photography,�including Coming into Fashion: A Century of Photography at Cond� Nast.
Lada Umst�tter is chief curator of the Mus�e des Beaux-Arts in La Chaux-de-Fonds, Switzerland.
Most helpful customer reviews
1 of 2 people found the following review helpful.
Handsome but inconclusive volume
By Wayne Dynes
Le Corbusier excelled in three fields: architecture, painting, and writing. This book seeks to establish his rank in a fourth field: photography. In my view it does not succeed. Although Corbu took many photographs in the course of his life, most of them seem to be out of focus, overexposed or underexposed. He used some rather grainy photos by others in his books, but they make his points less effectively than his fine line drawings. The second part of the book is an anthology of photographs by others, which does not establish much. In truth there is no substitute for seeing the buildings themselves, as the architect would have wanted. The book is handsomely produced by the publisher, though.
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