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This important, groundbreaking publication contains the illustrated letters between two great modern artists–Vincent van Gogh and Émile Bernard. The original letters were previously in private hands and have not been seen for approximately seventy years. Here they are published in association with the Van Gogh Museum in Amsterdam and an exhibit at The Morgan Library & Museum in New York. In addition to the letters, the book also includes paintings, photographs, and drawings by both artists, as well as works by artists of the period, such as Paul Gauguin and Jean-François Millet. These letters, written between 1887 and 1889, are among the most important and relevant sources of insight into van Gogh’s life and art. They bridge the time when van Gogh was living and working in Paris, where he painted most of his self-portraits (mainly because he was unable to afford models), to the small town of Arles, in Provence. Here he adopted new types of compositions and developed new ideas about color–all of which he describes in detail in letters to his friend and fellow painter Bernard. Only a year later, in July 1890, van Gogh died, at the age of thirty-seven. The authors have carefully placed each letter in context of relevant events and have written authoritative commentaries on the content of the letters.
- Sales Rank: #408064 in Books
- Brand: Brand: Rizzoli
- Published on: 2007-09-18
- Released on: 2007-09-18
- Original language: English
- Number of items: 1
- Dimensions: 11.27" h x 1.58" w x 8.83" l, 4.70 pounds
- Binding: Hardcover
- 384 pages
- Used Book in Good Condition
From Publishers Weekly
Van Gogh's 22 letters to Émile Bernard, a fellow artist whom Van Gogh met in Paris, are significant in helping us understand the great masterpieces he would paint later, after his move to Arles. Since Bernard's side of the correspondence is lost, he plays the foil to the older, more experienced van Gogh, who elaborates on a philosophy of painting (in the end it's a question of expressing oneself powerfully), on the work he hopes to do (A starry sky, for example, well-it's a thing that I should like to try to do, just as in the daytime I'll try to paint a green meadow studded with dandelions) and on the influences of other great painters like Vermeer and Rembrandt. This lavish and complete presentation, published in association with New York's Morgan Library & Museum and the Van Gogh Museum in Amsterdam, brings together color facsimiles of the letters, English translations alongside French transcriptions, notes and color reproductions of paintings mentioned in the correspondence and other complementary material. The volume creates an entire and delightful world around this highly readable correspondence-the kind of fine and exhaustive treatment it deserves. (Oct.)
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Review
No one can fail to be totally and completely absorbed by this magnificent book produced by Leo Jansen, Hans Luijten and Nienke Bakker, the editors of the Van Gogh Letters project at the Van Gogh Museum, in collaboration with The Morgan Library and Museum in New York...Painted with Words is an exceptional work which brings van Gogh, the painter, writer and human being heart-rendingly close, showing that van Gogh's madness was that of a passionate genius whose paintings did not sell, whose doctors did not understand his illness, and who was insulted and cast out by a society whom he did not flatter. -- culturekiosque.com September 2007
VINCENT VAN GOGH, PAINTED WITH WORDS: THE LETTERS TO ÉMILE BERNARD edited by Leo Jansen, Hans Luitjen and Nienke Bakker (Rizzoli, 384 pages; $50). Much more than a catalog, this book accompanying the Morgan Library & Museum's current exhibition includes lively English translations of van Gogh's spirited correspondence with his younger friend Bernard. While the paintings should be appreciated in person, the letters -- also transcribed in French and reproduced in facsimile -- work best in book form. Adorned with van Gogh's sketches, they begin with his move from Paris to the rural town of Arles in 1887 and end just a few months before his suicide in 1889. In impassioned and often coarse language, he celebrates earthly pleasures, extols Rembrandt, Courbet and Millet, and indulges in ecstasies of color. KAREN ROSENBERG -- New York Times 12/7/07
About the Author
Leo Jansen is the Van Gogh Museum’s curator of paintings. He and Hans Luijten are editors of the Van Gogh Letters project. Nienke Bakker is a research assistant on the project.
Most helpful customer reviews
5 of 5 people found the following review helpful.
A new insight into Van Gogh's working method
By Reich Claude
The 22 letters written by Van Gogh to French painter Emile Bernard, in which he almost exclusively discusses the subject of painting with a fellow artist, are the subject of this beautiful volume which accompanies an exhibition of the letters at the Pierpont Morgan library in NYC. Each of the letters is reproduced through a high-quality facsimile and also translated into English. Many works Van Gogh alludes to in those letters are also reproduced and every letter is carefully annotated which helps the reader understand the many references the artist cites as sources of inspiration to his work.
This is a groundbreaking publication that gives the reader invaluable insights into Van Gogh thoughts and working methods and comes as a perfect complement to the already published correspondence of the artist with his brother and dealer Theo. The letters to Bernard are more spontaneous because they were written by an artist to another artist and the introduction of the book explains this very well.
Highly recommended.
8 of 9 people found the following review helpful.
A Handshake in Thought
By Christian Schlect
An excellent addition to the library of anyone with a serious interest in Vincent van Gogh, or for that matter Emile Bernard.
In 1996 I enjoyed reading the selected letters of van Gogh, a gifted writer, in a book edited by Ronald De Leeuw. This current effort has a more narrow focus but is greatly enhanced by the fine selection of accompanying artwork. The explanatory chapter notes are superb.
Its editors and the Morgan Library should win prizes for this scholarly work.
2 of 2 people found the following review helpful.
He painted with words.
By R. Stenbock
Word by word, page by page and letter after letter the myths are peeled back and the true character and personality of this great master becomes revealed.
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