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What the Twilight Says, by Derek Walcott
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The first collection of essays by the Nobel Laureate.
Derek Walcott has been publishing incisive essays in The New York Review of Books, The New Republic, and elsewhere for more than twenty years. What the Twilight Says collects Walcott's outstanding contributions to form a volume of remarkable elegance, concision, and brilliance. It includes Walcott's moving and insightful examinations of the paradoxes of Caribbean culture, including his noted Nobel lecture, and his reckoning of the work and significance of such poets as Robert Lowell, Joseph Brodsky, Robert Frost, Seamus Heaney, and Ted Hughes, and of prose writers such as V. S. Naipaul and Patrick Chamoiseau. Walcott as a prose writer has the same lyric power and syncretic intelligence that have made him one of the major poetic voices of our time.
- Sales Rank: #658731 in Books
- Published on: 1998-10
- Original language: English
- Number of items: 1
- Dimensions: .95" h x 5.80" w x 8.82" l,
- Binding: Hardcover
- 245 pages
Amazon.com Review
Derek Walcott's identity as a poet is evident even in his literary criticism. Who else would produce a sentence such as "Let the shaggy, long horde of spiky letters and the dark rumbling of hexametrical phalanxes rise over the outback towards the capital of the English language" to describe the work of a fellow poet--in this case, Australian Les Murray? Indeed, each of the essays in What the Twilight Says is at least as rich in language as it is in ideas; so much so, in fact, that at times the view is obscured by the verbiage. Nevertheless, beneath the loco rococo turns of phrase Walcott has some serious points to make. In his discussion of V.S. Naipaul, for example, he offers some telling insights into the effects of colonialism on his subject's psyche: "What is the cost to his Indianness of loving England?" Walcott asks; "To whom does he owe any fealty? Ancestors? The surroundings that history placed them in, the cane fields of Trinidad, were contemptible, as they themselves would have to be, having lost both shame and pride. Therefore, the only dignity is to be neither master nor servant, to choose a nobler servitude: writing. The punishment for the choice is the astonishment of gratitude; to be grateful to the vegetation of an English shire. Not to India or the West Indies, but to the sweet itch of an old wound." Walcott praises Naipaul's genius while calling him on his racism, selfishness, and disdain for his roots--in effect loving the sinner while hating the sin. His essay on Joseph Brodsky is an intelligent meditation on the art of translation while "The Muse of History" looks at the influence of history in New World literature. From a discussion of the poetry of Ted Hughes to an open love letter to Martiniquan writer Patrick Chamoiseau, Derek Walcott provides plenty of provocative food for thought wrapped in poetical prose. --Alix Wilber
From Publishers Weekly
In essays originally published between 1970 and 1997, Walcott, winner of a Nobel prize in 1992 for his poetry and plays (Omeros, The Bounty), engages with literature, politics and their intersection. This is Walcott's first prose collection but the writing here is so intense that it threatens to disintegrate into lyric; in fact, the pieces deserve to be read aloud for their finely wrought metaphors, their intelligent, conversational observations and the beauty of their sound. Brilliant insights come suddenly, even unexpectedly, as in the aside that "reading [Wallace] Stevens is like having Chocolate for breakfast." Most of the essays are considerations of a wide range of writers such as Patrick Chamoiseau, Joseph Brodsky and Ernest Hemingway. The remaining few, including the Nobel prize address, "The Antilles: Fragments of an Epic Memory," are intense meditations on the state of West Indian writing and culture. A recurring concern is the relation of the postcolonial writer to the imperial language: Walcott, who now lives in both the United States and his native St. Lucia, describes "barbarian Bards" who "recite long passages of the imperial literature as if it were their own; and with a vigour, even a love, that brings a blush to the civilized cheek." But while he criticizes V.S. Naipaul for turning his back on the West Indies, and praises card-carrying anti-imperialists like C.L.R. James and Aime Cesaire, Walcott is no hard-liner. He is indignant toward those who reject any aspect of the West Indian heritage, whether it be African, Asian, indigenous American or European, acting on his own contention that poetry must not dwell on the scars of history, but should instead embrace the beauty and the possibilities of the present.
Copyright 1998 Reed Business Information, Inc.
From Booklist
Twilight--that dramatic and melancholy transition--is the perfect trope for Nobel laureate Walcott, a West Indian born of forces as opposite as day and night--of light skin and dark, of conquerors and the enslaved, of the old and the new. The first set of essays in this collection of powerful meditations focuses on the confounding confluence of cultures found in the Caribbean. In the title essay, Walcott reveals how the conflict between his deep love of the English language and his anguish over the horrors and injustices of racism and colonialism made finding his voice as a poet and playwright excruciatingly difficult. "The truest writers are those who see language not as linguistic process but as a living element," he writes, and, indeed, he himself makes no distinction between life and literature, whether he's writing poetry or brilliant assessments of the work of his peers, Joseph Brodsky, Robert Frost, V. S. Naipaul, and Les Murray. Walcott's vision is global, his candor electrifying, his piercing insights and oceanic eloquence transcendent. Donna Seaman
Most helpful customer reviews
1 of 1 people found the following review helpful.
Walcott as master of the English language
By W. Rodriguez
In all his works, Derek Walcott fascinates with his command of the English language. His images and messages are thought provoking and inspirational.
0 of 1 people found the following review helpful.
Five Stars
By tamara bolotow
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